Dancing for the Next Generation: Jan Sirota and Alison Gardner & The Sarasota Ballet

By Kaileia Suvannamaccha | Photo by Nancy Guth | December 2023

In a philanthropic landscape teeming with charitable endeavors, The Sarasota Ballet continues to take hold of the hearts of its generous donors, including Jan Sirota and Alison Gardner.

A World Class Performance

Jan Sirota, originally from New York, had attended performances at prestigious institutions like the American Ballet Theatre and New York City Ballet, and therefore, held high standards for ballet. It wasn’t until he met Alison that he even considered attending one of The Sarasota Ballet’s world-class performances.  

“I was shockingly surprised at how great they were,” he recalls. 

The surprise he felt at the exceptional quality of its performances challenged every preconceived notion he had about ballet in smaller cities. 

“If I were to imagine who danced in Sarasota when I lived in New York, it wouldn’t be the caliber of dancers we find here. But they are every bit as good, with every bit as rich a teaching history.”

Alison Gardner, also from New York, brought her own deep-rooted connection to ballet. She fondly remembered her early experiences with the art form, saying “What little girl doesn’t love The Nutcracker?” 

A childhood fascination with ballet led her to take Cecchetti lessons, providing her with a unique perspective on the intricate nature of each step and movement, including their difficulties. Alison’s early exposure to the world of ballet cultivated a deep appreciation for the dance.

A Partnership in the Making 

Jan’s personal mission to become the support system he wished he had during his youth has been a driving force in his life. Little did he know, his involvement with an organization called Take Stock in Children would play a pivotal role in his path to The Sarasota Ballet. Through Take Stock, Jan provided mentorship to underprivileged high school students through weekly visits. At the time, two of his mentees were participants in The Sarasota Ballet’s “Dance – The Next Generation” (DNG) program. 

DNG is a youth education program offered by The Sarasota Ballet, catering to underserved children in grades 3-12. The program provides a comprehensive, tuition-free dance education and includes personal and professional guidance and support for young talents. “They really give them a lot of poise, and discipline—all the kinds of things I wish I had when I was that age,” he says. 

Jan saw the potential for these aspiring dancers to benefit not only from DNG but also from Take Stock in Children, which offered pre-paid scholarships to in-state colleges. His innovative idea to unite the two programs was met with enthusiasm by Iain Webb, the director of The Sarasota Ballet, who immediately set up an event at Asolo Repertory Theatre, where they introduced others to the important work these organizations were doing. 

“Since that night, I have really been indebted to Iain Webb and his view on underprivileged kids,” Jan emphasizes. “He is beyond willing. That was probably the most instrumental thing that sold me on The Sarasota Ballet—not just the dance, but the whole organization—the people.”

Alison adds, “The ballet is a presence, but it is also an educator, and a mentor. Even in a large arena like the Van Wezel, the distance between the audience and the dancers is never very great.”

Diversity and Distinction

The couple take great pride in discussing The Sarasota Ballet’s ever-expanding repertoire. They appreciate its versatility, with offerings ranging from classical pieces like “Giselle” to more contemporary and innovative performances, such as those choreographed by Ricardo Graziano.

Jan and Alison also acknowledge the Ballet’s impressive international presence and recognition. including invitations to prestigious venues like Lincoln Center, Kennedy Center, and Jacob’s Pillow. They’re particularly thrilled about the company’s upcoming performance at the Royal Ballet in London next year.

“Iain and Margaret’s choice to make Sir Frederick Ashton’s choreography Sarasota’s niche has resulted in loans of costumes, sets, and scores from around the world, as well as cooperation from the Balanchine Trust,” says Alison. 

Margaret is Margaret Barbieri, a world-renowned Prima Ballerina with The Royal Ballet, and Assistant Director of The Sarasota Ballet.

“It appeals to many more in the audience than you would ever think,” Jan adds. “And they’re doing a really good job in coming up with a diversity of programs that keep you interested.”

Both Jan and Alison speak fondly about the various events at The Sarasota Ballet where they can interact with the dancers, form personal connections, and gain a deeper understanding of the Ballet’s mission. 

Alison notes that the organization not only takes care of the dancers but also the staff, donors, and local community. “It’s a wonderful model for a philanthropy in Sarasota that is rife with non-profit organizations vying for dollars.” 

A Shared Passion for Enrichment

Jan and Alison’s journey with The Sarasota Ballet is shaped by their passion for supporting a cultural institution that ultimately brings more joy into their lives. For Jan, it’s the artistic synergy of music and movement that makes ballet truly unique. He views ballet as a blend of athleticism and storytelling, offering a diverse range of experiences, from traditional story ballets to contemporary works. The opportunity for dancers to also choreograph is something Jan deeply admires and believes sets The Sarasota Ballet apart from other studios.

Alison’s connection to ballet has been nurtured by the ballet’s commitment to extending dancers’ careers beyond their time on the stage. She admires the dedication and skill of dancers who continue to pass on their knowledge and talent to the next generation, even after their own dancing careers have ended. The mentorship and the focus on the legacy of dance deeply resonate with her. “To watch both Iain and Margaret, passing their skills on to the next generation, and the generations after that, is extraordinary,” she says.

Jan and Alison’s vision and aspirations for the future are aligned with their passions. Serving on the Ballet Board, Jan is determined to expand the relationship between DNG and local schools, enhancing the lives of children who may not have yet had the opportunity to immerse themselves in diverse cultural experiences such as dance. His legacy is one of empowerment and mentorship, creating a brighter future for the young talents he supports.

Alison, on the other hand, finds her passion in contributing to the growth of the ballet’s finances. As a member of the Investment Committee, she brings her financial expertise to help the ballet’s funds grow, ensuring its long-term sustainability and expansion. Financial support from donors like Jan and Alison is what allows the ballet to continue thriving and making positive impact on the community.

“I truly love supporting the things that give me joy,” says Alison. “I have about as much creative energy in my entire body as some of them have in their little fingers. So I feel like I’m an official appreciator, and I am more than glad to support such talented people.”

Dancing for the Next Generation

Jan Sirota and Alison Gardner have joined the Ballet’s Legacy Society, signifying their enduring dedication to the organization through their inclusion of the ballet in their estate plan.

In the philanthropic hub that is Sarasota, The Sarasota Ballet stands out as a multifaceted cultural organization. Its commitment to community engagement, mentorship, and human development creates an environment that nurtures talent and brings people together in a way that only art can.

As can be seen in Jan Sirota and Alison Gardner’s journey, The Sarasota Ballet serves as a reminder that the arts enrich lives, and through shared commitment and community, they will continue to do so for generations to come.

FOR MORE INFORMATION about The Sarasota Ballet, the 2023-2024 season, or to purchase tickets, please visit www.sarasotaballet.org